Lasse Scherffig: Trying to be Cake. Feedbackmaschinen oder: Interaktion als Wiederholen durch Unterbrechen, in: Off Topic #3 unterbrechen/wiederholen, Cologne, 2011, 30-35 › PDF (1.75 MB)
How to understand… light drawing
Urs Fries, Lasse Scherffig, Stefanie Stallschus: How to understand… light drawing, in: Off Topic #3, Cologne, 2011, 98-102 › PDF (4.2 MB)
Platine Festival 2011
Paidia Laboratory: feedback is shown for the first time at Platine Festival 2011, Cologne.
Sonnenwindperiskop / Solar Wind Periscope
Installation, 2011
In cooperation with Jonas Hansen
The Solar Wind Periscope is an artistic instrument visualizing atmospheric conditions that depend on space weather. It uses a radio receiver to measure HF radio signal range and relies upon a global network of amateur HAM-radio stations known as WSPRnet. It was developed for The Weather Tunnel Project at Translife Triennial 2011 and is part of an ongoing inquiry into weather beyond earth.
Translife Triennial, Beijing
The Solar Wind Periscope is shown at translife, International Triennial of New Media Art, National Art Museum of China, Beijing.
Lab3 – A laboratory for Experimental Computer Science
Georg Trogemann, Lasse Scherffig: Lab3 – A laboratory for Experimental Computer Science / Laboratoire D’Informatique Expérimentale, in: MCD, Musiques & Cultures Digitales, Issue 62, 2011, 80-81 › PDF (2.4 MB)
Neue Medien machen Sinn, Wiesbaden
The project Quantenspiegel (Quantum Mirror) is part of the exhibition Neue Medien machen Sinn at the Hessian Ministry for Science and Art, Wiesbaden.
Yacht Kaiserstuhl at Dortmunder U
Since December 2010, Yacht Kaiserstuhl can be seen outside the Dortmunder U.
$GPGSV: Satellites in View
Lasse Scherffig: $GPGSV: Satellites in View, in: Mindaugas Gapševičius (Ed.): Migrating: Art: Academies:, EESI, KHM and VDA, Angoulême, Köln and Vilnius, 2010, 258-267 › PDF (4.8 MB)
Studia UBB. Philosophia: Special Issue on the Phenomenology of Digital Technologies
Member of the advisory board of Studia UBB. Philosophia for a special issue on the Phenomenology of Digital Technologies (no. 3/2010).